{"id":42756,"date":"2026-06-12T08:31:00","date_gmt":"2026-06-12T06:31:00","guid":{"rendered":"https:\/\/orkus1.com\/thats-how-it-was-with-she-past-away\/"},"modified":"2026-06-12T08:31:18","modified_gmt":"2026-06-12T06:31:18","slug":"thats-how-it-was-with-she-past-away","status":"publish","type":"post","link":"https:\/\/orkus1.com\/en\/thats-how-it-was-with-she-past-away\/","title":{"rendered":"That’s how it was with SHE PAST AWAY"},"content":{"rendered":"
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Hamburg, Markthalle, May 9, 2026<\/strong>Opening act: Isla Ola<\/strong><\/p>\n\n

Dance music for the most beautiful kind of lostness<\/strong><\/p>\n\n

The Markthalle can take on many colors. Tonight, it\u2019s dressed in black again. Not the loud, bold black of a pose, but that matte, deep black that swallows the light and draws people closer to the stage. She Past Away<\/strong> are coming to Hamburg with their \u201cMizantrop Tour 2026\u201d and bringing with them a form of dark wave that doesn\u2019t rely on nostalgia, even though it\u2019s deeply rooted in the DNA of the eighties. The duo from Turkey, consisting of Volkan Caner and Doruk \u00d6zt\u00fcrkcan, blends post-punk, dark wave, cold guitar tones, and synthetic intensity into a sound that has long resonated internationally\u2014partly because the Turkish language here doesn\u2019t come across as exotic, but rather as an additional layer of shadow. <\/p>\n\n

Mist rising from cold rooms<\/strong><\/p>\n\n

Isla Ola<\/strong> are more than just the opening act this evening. The German duo from Dortmund operates in the realm of coldwave, darkwave, and post-punk; Stefan lays down the synthetic and guitar-driven textures, while Jesmari lends the songs a distinctive weight with her deep, melancholic voice. Their sound is often described as foggy, isolated, and emotionally cold\u2014and yes, that pretty much nails it. The opening with \u201cWarum kommst Du nicht vorbei zu mir?\u201d and \u201cAlles Grau\u201d feels like an open door into a dimly lit room. After that, \u201cAugen K\u00f6rper Herz\u201d and \u201cGelaufen\u201d pull the mood deeper into this cool, almost dreamlike direction; the beat remains stoic, the voice hangs over it like breath on cold glass. <\/p>\n\n

With \u201cDurch den Nebel\u201d and \u201cNebelmond,\u201d Isla Ola captures the essence of her own universe. Next, \u201cRob Me of Desire\u201d introduces a bit more English-language detachment, before \u201cVersinken\u201d reopens that beautiful, dark pull. \u201cZerteil mein Herz!\u201d doesn\u2019t sound like reconciliation even by its title, and live, the song takes on a rougher edge. Finally, \u201cWo bist Du hin?\u201d stands like a question in the fog. <\/p>\n\n

Concrete, Fog, Bodies<\/strong><\/p>\n\n

Then <\/strong>She Past Away.<\/strong> No long build-up. No unnecessary foreplay. \u201c\u0130\u00e7imdeki D\u00fc\u015fman\u201d kicks off the evening with that signature blend of cold guitar, dry beat, and vocals that sound as if they\u2019re coming from a windowless room. After that, \u201cDurdu D\u00fcnya\u201d pulls the market hall deeper in; the title feels almost programmatic, as if the world outside were actually pausing for a moment. With \u201cKatarsis\u201d and \u201cMizantrop,\u201d the atmosphere thickens. Later, \u201cAsimilasyon\u201d follows, and the sound gains more edge. \u201cRit\u00fcel\u201d then sets one of the early highlights of the evening. People aren\u2019t dancing out of joy. They\u2019re dancing because their bodies can find no other response. <\/p>\n\n

With \u201cSessiz Orman,\u201d a different shadow briefly emerges. Less aggression, more lost vastness. Then comes \u201cKasvetli Kutlama,\u201d and the title itself embodies this contradictory beauty: a somber celebration, a dark ceremony, a festival without light. In Hamburg, this works relentlessly well. \u201c\u0130nziva\u201d then draws the evening into isolation. The song feels like a retreat inward, without letting go of the dance floor. Next comes \u201cRuh,\u201d one of those moments where She Past Away particularly clearly demonstrate their strength: few resources, great impact. With \u201cKaygan Kayal\u0131klar,\u201d things get edgier again, almost restless. The song pushes the Markthalle across slippery ground, just as the title promises. Afterward, \u201c\u0130nsanlar\u201d concludes the main set with bitter clarity. People. Voices. Shadows. Bodies. For a moment, the room seems like a single dark silhouette. <\/p>\n\n

Encore \u2013 the final journey through the fog<\/strong><\/p>\n\n

Then they come back. \u201cBozbulan\u0131k\u201d opens the encore not like a friendly reunion, but like another descent. The song has this murky, churning quality, as if someone had stirred ashes into water. It has a particularly powerful effect live because She Past Away doesn\u2019t rely on a big explosion here. They let the pressure do the work. Slowly. Dryly. Mercilessly. \u201c\u0130zole\u201d tightens the isolation even further. A song like a pane of glass between people and the world. In the market hall, this doesn\u2019t become a quiet moment, but a dark movement: many people, the same beat, each on their own and yet together. With \u201cSanr\u0131,\u201d the encore tips into feverishness. The song has something hallucinatory, flickering about it. The guitar screeches, the synths pull, the rhythm holds everything together like an iron wire. Here, She Past Away<\/strong> show their perhaps most dangerous side: not loud in the classic sense, but compelling. <\/p>\n\n

And then \u201cHayaller?\u201d A finale with a question mark. You couldn\u2019t ask for a more fitting way to end an evening like this. The song feels like one last glimpse into a dream that has long since ceased to be beautiful. No warm farewell, no conciliatory glow. She Past Away leave Hamburg in the dark\u2014but with a beat under the skin. That\u2019s exactly where this music belongs. <\/p>\n\n

Conclusion \u2013 Darkness in Motion<\/strong><\/p>\n\n

She Past Away<\/strong> didn\u2019t play a retro set in Hamburg. They showed why their sound works worldwide: because it doesn\u2019t sound like a copy. Their roots are clearly in post-punk and dark wave, but the result is firmly rooted in the present. Minimalist, cold, danceable, uncompromising. Isla Ola<\/strong> opened the evening with German foggy chill and melancholic cold wave; She Past Away<\/strong> later turned it into a black machine of movement. Between \u201c\u0130\u00e7imdeki D\u00fc\u015fman,\u201d \u201cRit\u00fcel,\u201d \u201cKasvetli Kutlama,\u201d \u201cRuh,\u201d \u201c\u0130zole,\u201d and the final \u201cHayaller?,\u201d a night emerged that didn\u2019t seek to comfort. It sought to pull. Downward. Inward. To the dance floor. And Hamburg went along with it. <\/p>\n\n

Text & Photos: Thomas Friedel Fuhrman<\/p>\n\n

She Past Away Setlist:<\/strong>\u201cThe Enemy Within\u201d \u2022 \u201cThe World Has Stopped\u201d \u2022 \u201cCatharsis\u201d \u2022 \u201cMisanthrope\u201d \u2022 \u201cAssimilation\u201d \u2022 \u201cRitual\u201d \u2022 \u201cSilent Forest\u201d \u2022 \u201cGloomy Celebration\u201d \u2022 \u201c\u0130nziva\u201d \u2022 \u201cRuh\u201d \u2022 \u201cKaygan Kayal\u0131klar\u201d \u2022 \u201c\u0130nsanlar\u201d \u2022\u2022\u2022 \u201cBozbulan\u0131k\u201d \u2022 \u201c\u0130zole\u201d \u2022 \u201cSanr\u0131\u201d \u2022 \u201cHayaller?\u201d<\/p>\n\n