{"id":43802,"date":"2026-07-05T07:14:00","date_gmt":"2026-07-05T05:14:00","guid":{"rendered":"https:\/\/orkus1.com\/interview-with-susurration-part-1-of-2\/"},"modified":"2026-07-05T07:14:16","modified_gmt":"2026-07-05T05:14:16","slug":"interview-with-susurration-part-1-of-2","status":"publish","type":"post","link":"https:\/\/orkus1.com\/en\/interview-with-susurration-part-1-of-2\/","title":{"rendered":"Interview with SUSURRATION (Part 1 of 2)"},"content":{"rendered":"
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Photo: Melumnia Photography, Melissa Mangold<\/figcaption><\/figure>\n<\/div>\n

In our two-part interview with Jessy B\u00e4secke-Beltrametti\u2014the mastermind behind Susurration<\/strong> \u2014we talk about her latest EP, \u201cDominance.\u201d And things definitely heat up, since the main theme revolves around BDSM. <\/p>\n\n

Orkus:<\/strong> The cover for \u201cDominance\u201d looks pretty wild. How did you come up with this idea? And what\u2019s the story behind these symbols? Jessy B\u00e4secke-Beltrametti:<\/strong> The logo is an anti-patriarchal statement that uses the metaphor of female dominance in a BDSM context\u2014and, of course, it\u2019s also a loving reference to this way of life. It consists of a vulva as a symbol of femininity* and feminism. The small symbols represent the different areas of BDSM: the spider stands for bondage, the key for control or D&s, and the blade for pain play.For the EPs \u201cDominance\u201d and \u201cSubmission,\u201d we wanted to work with altered photos of ourselves. That\u2019s how the eyes came into play\u2014they\u2019re taken from a concert photo of me. Tattoo artist Lea Rabenschwarz then developed the whole concept into this artwork. <\/p>\n\n

O:<\/strong> The EP kicks off relentlessly with \u201cBreak Me Down.\u201d How did this song come about? JBB:<\/strong> I wanted to explore the topic of BDSM as comprehensively as possible to avoid typical clich\u00e9s and stereotypes. That\u2019s why \u201cBreak Me Down,\u201d which takes a submissive perspective, is juxtaposed with \u201cConsensual Noise Content\u201d as its dominant counterpart. For \u201cBreak Me Down,\u201d it was important to me that the song come across as very self-assured and powerful, so that the aspect of self-determination and inner strength\u2014which I consider essential to this form of submission\u2014is palpable. It\u2019s a self-assured pride song for all subs and bottoms. <\/p>\n\n

O:<\/strong> There’s also a steamy video about it. What was it like filming it? JBB:<\/strong> That was pretty wild. It was so much fun to bring this sparkling fantasy to life with so many amazing and creative people. The dedication and playful joy of everyone involved gave this shoot something magical. Our goal was to give visibility to queer sexual pleasure and self-realization without the \u201cmale gaze.\u201d So we worked with an all-Finta crew. That means, apart from Hannes and Dave, there were no cis men involved in the shoot\u2014either in front of or behind the camera. That made a noticeable difference and created an atmosphere that was both open to experimentation and conspiratorially focused. During the sex scenes, Sarah Horst also did an incredibly good job as intimacy coordinator, discreetly ensuring that all boundaries were respected and everyone\u2019s well-being was maintained. That provided a tremendous sense of safety and calm. It\u2019s exactly this atmosphere that I appreciate about the queer kink scene, and it\u2019s precisely this blend of freedom and safety that I wanted to convey with the video. <\/p>\n\n

O:<\/strong> \u201cConsensual Noise Content\u201d really stands out. Is there a story behind it? JBB:<\/strong> Dominance, as it\u2019s portrayed in this song, involves not only the obvious aspects but also a great deal of warmth, mindfulness, care, and love. Unfortunately, this often gets lost in many pop-cultural depictions. To clearly distinguish true dominance from abuse in an artistic context, it was extremely important to me to make this aspect palpable alongside the harshness and power. That\u2019s how I came up with the idea of using the cello parts as a starting point and developing them into a relentless track, which ended up being very multi-layered and conveys both raw intensity and a sense of security and tenderness that envelops the intensity and catches us. I\u2019m very happy with it. <\/p>\n\n

O:<\/strong> What are your connections to the BDSM scene? And what role do you play in it? JBB:<\/strong> In my experience, there is a wealth of knowledge within the BDSM community about communication, personal responsibility, and mindfulness in how we interact with one another, since this kind of intimacy can become dangerous without constant reflection and communication. In workshops, at events, and through encounters in this world, I\u2019ve learned so many valuable lessons that I\u2019ve been able to apply in other contexts. I think it\u2019s important to apply and pass on this knowledge and these communication practices\u2014whether through workshops, interpersonal relationships, or music that represents and brings this world to light. To a large extent, this is what matters to me when I artistically process these aesthetics and themes. And of course, I also love the dramatic theatricality, the surprisingly playful nature, and the profound imagery of BDSM, which blends so wonderfully with the gothic world. Last but not least, these songs are also a declaration of love to the wonderful people who make up this scene. <\/p>\n\n

Claudia Zinn-Zinnenburg<\/p>\n\n

We’ll continue our interview shortly.<\/p>\n\n

Lineup:<\/strong>Jessy B\u00e4secke-Beltrametti \u2013 vocalsDave Wieser \u2013 drumsHannes Bachofner \u2013 keyboardsMichael Hirst \u2013 studio guitars<\/strong><\/p>\n\n

You can also find “Susurration<\/strong> ” in our July\/August issue:<\/p>\n\n

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<\/p>\n","protected":false},"excerpt":{"rendered":"

In our two-part interview with Jessy B\u00e4secke-Beltrametti\u2014the mastermind behind Susurration \u2014we talk about her latest EP, \u201cDominance.\u201d And things definitely heat up, since the main theme revolves around BDSM. Orkus: The cover for \u201cDominance\u201d looks pretty wild. How did you come up with this idea? And what\u2019s the story behind these symbols? Jessy B\u00e4secke-Beltrametti: The […]<\/p>\n","protected":false},"author":5,"featured_media":43558,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1171],"tags":[9284,5113],"class_list":["post-43802","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-story-qa-en","tag-dominance","tag-susurration-en"],"acf":[],"yoast_head":"\nInterview with SUSURRATION (Part 1 of 2) - Orkus1.com<\/title>\n<meta name=\"description\" content=\"We talk with Jessy B\u00e4secke-Beltrametti\u2014the mastermind behind Susurration\u2014about their latest EP, \u201cDominance\u201d \u2014 Orkus!\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/orkus1.com\/en\/interview-with-susurration-part-1-of-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Interview with SUSURRATION (Part 1 of 2) - 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