WGT Memories 2023: AEON SABLE

Automatic translation. Improvements are constantly being worked on.

“…Suddenly the usual Goth Rock machine.” (Nino Sable)

How often have you been to the WGT so far? (As a visitor and as an artist)
Din and I have each been to WGT three times as visitors and three times with Aeon Sable. (2014: Theaterfabrik, 2017: Felsenkeller, 2023: Täubchentahl)

What did you think before the gig and how do you look back on it today?
I was terribly excited before the gig and just wanted to get it over with. But when we stood on stage, facing a packed venue, all the tension vanished and we were suddenly the usual Goth Rock machine.

Which song did you particularly like to play?
I especially enjoyed playing Burn for Salvation and Garden of Light. The latter just fit there perfectly (space/time) and it was fabulous to see our visitors singing along to it.

Were there any personal meetings that meant a lot to you?
I have had very many personal meetings. It was a special pleasure to finally meet friends from Latin America, Portugal, Israel and the USA again.

What will you remember for a long time from this year’s WGT?
Besides the feeling of having played a really good gig, we will probably remember the new acquaintances. The WGT is and remains the place of encounter.

Setlist:
Intro 2014 – “Burn for Salvation” – “Quaalude Tango” – “Garden of Light” – “Elysion” – “Visions” – “Dancefloor Satellite” – “White Snow” – “Praying Manti”

You can find more acts like Deine Lakaien, Front Line Assembly, Rosa†Crvx, Eisregen and V2A exclusively in the “WGT Special Issue”, which is enclosed to the current Orkus issue. You can order the July/August issue in the Orkus! Shop or in the Onlinekiosk.